Sunday, January 31, 2016

5:05 - dreamtime disruption - message received but not understood

to whomever this may concern, "Yes, I did receive your dream-disruption message this morning at 5:05 but don't understand what it means..."

DAY LATER UPDATE: another couple of other LED-clock inspired DDs or Dream Disruptives, COST and SELL and then a dream about our five-man team thwarting an alien invasion, man in an open-top convertible Merc more concerned about The Temperarture. I go, what? He goes, the temperature. I say, I don't know. 17 degrees. With the windchill, 15, 16.

This making sense to anyone yet, Teddy Bear?

December 1980 RAF Bentwaters - broken arrow event - triangular onyx UFO exhibiting circles of light

So, the multiple-witness 1980 RAF Bentwaters UFO-sightings broken-arrow i.e. nuclear weapons interference, event was done and dusted years ago ... or so we thought.

This lecture by Linda Moulton-Howe and John Burroughs suggests otherwise.

in fact, those of us who've watched The Last Mimsy will understand the latter portions of this presentation.

Sunday, January 24, 2016

Mike Philbin - new paintings - dichotomy series

Twenty years since I first complete the Gouache paintings series and I'm painting again - these first six (abstract, emotional, schematic) paintings are on white stretch canvas (with a border left clean along three edges) at the intimate scale of 18" by 14".

What's important for me in this hands-on gloves-off series is the exploration of how our educated environment-worldview is encouraged to interfere with our natural left-right brain-ness aka GED, the aim is to show how the schism or Grand Experiential Dichotomy tries to comes together.

Matt = push. Solo = pull. These are decorating terms that highlight the interferance boundary (where the colours collide) that is the origin of Creativity, Passion and Kinship: our own two-choice challenge of Custodian pattern recognition and life resolution.

I have two double-height four-colour projects in the works. I've chosen the contrasting tones and the 100cm by 50cm box canvases are on their way. I'll update once these next two are done...

Wallace Thornhill - The Electrical Universe - The Long Path to Understanding Gravity

In the theoretical sciences, it is commonly assumed that the role of gravity is settled. But as Richard Feynman observed, “There is no model of the theory of gravitation today, other than the mathematical form.”
In this talk at the EU2015 conference, Wallace Thornhill takes us on a forty-year personal journey to understand the role of gravity in the electrical universe.

"Mathematics isn't Physics," claims Thornhill - and he's right.

Friday, January 22, 2016

JungGi Kim - amazing ink-panoramas - timelapse feature

Usually, Free Planet features three (or so) paintings or illustrations or drawings in an Art Feature ... this time, because it's the mesmerising large-format hyper-intensive ink-work of JungGi Kim I'll be showing some of the timelapse movies that have been made during the course of the creation of his amazing ink-panoramas.

and here's another one... it's just 'the best thing I've seen in ages'.

Thursday, January 21, 2016

Free Planet - learn to breathe - calm relaxed confident people

"We just don't need all this bullshit..." is what we need to realise.


In a world where every person in the world is calm, relaxed and confident in their own crucial position in a Free Planet of Creativity, Passion and Kinship (self-appointed members of the Custodian Liberation) seven billion people will soon realise that all the consumerist guff the modern world throws at us in the name of Corporate War for-profit patent-protect secrecy-terror is just pointless.

We just have to BREATH.

Breathing, it's not that difficult. But it's something not many of us do. Breathing is an art, just like making a picture or playing an instrument. Breathing in for a count of five (hold the breath) breath out for a count of five (hold the breath). Once you've mastered this simple act, start singing, find a tone that lets you feel good and sing.

SING with one voice.

Maybe this Free Planet blog should organise its own TIME-STAMPED "Breathe-athon" ... let's organise this for the coming weekend. We'll choose a time GMT. And then we'll see how much of all this nonsense seems important to us any more.

This weekend: exact time GMT to be confirmed. Give suggestions, those who'll contribute to the "Breathe-athon" in the Comments section.

BREATHE together.

Wednesday, January 20, 2016

Cal Tech finds Planet Nine - Ten times the mass of the Earth - stalking our outer Solar System

according to the latest computer simulations from CalTech, Planet Nine (from outer Solar System) is a) ten times the mass of Earth b) orbits 20X further out than Neptune and c) has an orbit upwards of 20,000 years.

"Although we were initially quite skeptical that this planet could exist, as we continued to investigate its orbit and what it would mean for the outer solar system, we become increasingly convinced that it is out there," says Batygin, an assistant professor of planetary science. "For the first time in over 150 years, there is solid evidence that the solar system's planetary census is incomplete." [source CALTECH]

What is meant by that is, "They haven't actually seen Planet Nine yet," it only exists as an element in a computer model... but they'll find it for sure, and when they do maybe they can tie in the eccentric orbit of this new Solar System inhabitant to what might have happened in 10,000 B.C. when the Younger Dryas (Kepier Belt nudged?) asteroid nearly wiped out the human race.

FREE PLANET EDITORIAL: I'm going to go out on a limb here, "If the current accretion model of star + solar system formation was turned on its head," what?

Well, think about it, currently, we're of the opinion that the outer elements of a newly-formed star disc cool off and become the planets and debris... but what if 'some other 'hugely more macroscopic'' galactic function causes stars to manifest amidst a cluster of debris. You know, the OTHER WAY ROUND. Then all star systems might be (literally) INFINITE IN THEIR PLANAR TERRITORY...

Gah, what do I know - comme d'habitude.

MAY 2016 REBUTTAL FROM THE ELECTRIC UNIVERSE: here's a (finally) alternative version of planetary capture and how to find Planet Nine from Wal Thornhill, he of the Electric Universe and Thunderbolts of the Gods... let's see if you're as discombobulated by this description as I was...

Disney's new Jungle Book trailer literally scares the shit out of Free Planet.

Japanese games company Nintendo does this all the time, remaking and re-updating their greying corporate bastard-son "It's-a me!" Mario. So, why not Disney? They've got oodles of creaking intellectual property protected by iron-clad copyright law teams. Maleficent... which others tarot-towers are already on the cards?

This year's Disney-sacrificial offering contains a smooth-talking Gigantopithecus... the new post-Life of Pi, post-Planet of the Apes, post-Noah i.e. CGI-drenched anthropomorphised with excruciatingly ambivalent facial acting no place for a child horror of war drama; Jungle Book.

That was literally like watching a Disney remake of Apocalypse Now with Colonel Kurtz being ALL THE EGOMANIAC ANIMALS who want possession of the little boy for their own nefarious royal-advertising purposes, "I love the smell of teen terror in the morning. Smell of Victory." This is how the Garden of Eden must have been when the first Adam-boy turned up - where before there was animalistic harmony on the holy lawn tumultuous uproar for possession of the shiny new talking trinket would surely have ensued - this boy from God. This snake-bait.


Personally, I'd rather see such it's-here-now CGI technology being spent making the original film version of Gene Brewer's superbly realised and utterly apocalyptic KPAX 3 thru 5. I want to live with the talking passionate opinionated ginger-space-monkey 'fled' and see the trans-dimensional 'bullocks' annihilate this corporate shell-hole shell-company shell-life district once and for all. That'd be worth seeing.

Tuesday, January 19, 2016

Free Planet - We are not machines, Sebastien, we are physical - Universal Flight Organisms

Blade Runner quote, Sebastian.

Why would you show any 'congressional body' evidence of any UFO or flying saucer or strange pulsating mutating organic trans-dimensional entity?

By the time the data is put before them, the UFO is dead. No longer glows. Has no time-space penetrating abilty. Is nothing but a shell. A charcoal sketch of an 'intergalactic horse' or other alien 'beast of burden'. But we're missing a massive trick here...

Maybe mankind has interfaced with these beings before? Maybe these things are contactable via our dreams? Maybe contact with such organic (living (breathing (inter-dimensional (extra-spatial (hyper-luminary)))) UFOs or Universal Flight Organisms back in antediluvian times allowed us to WORK OUT FOR OURSELVES how to machine-carve and antigravity-transport the 200 tonne blocks of pre-Historical stone in our Precession-align'd monuments and sites of archaeological interest around the world. 

"Enigmatic union of inquiring minds," that's surely the goal of Free Planet or we'll be quarantined from 'the Galactic Playground' for many more centuries to come.

Friday, January 15, 2016

Steven Greer - Zero Point Energy - The Trans National Corporate Government

Energy Source: amazing electromagnetic flux field or mastery of anti-gravity and trans-dimensionality.

Let's put it another way -- we could call it Freedom from the MICC or Military Industrial Congressional Complex. MICC can also be called the Trans National Corporate Governance of the World, for-profit via patent-protect and the secrecy apparatus.

Sixty-year-old Steven Greer, in this sometimes rambling and often recollective four hour presentation on the Secret Government and How Our Prison Planet Actually Works, asserts that access to the zero point energy that surrounds us all that's been held back by MICC i.e. the oil-dollar nations, since the 1920's could totally revolutionise how we live. When you follow the dirty-money trail of assassinations and hit-jobs of a physical or reputational nature, you can see how the Third World War Machine might prevent such an infrastructure-ruining energy revolution - we need to keep funding the lie, after all. Get back to work and earn your permission to reside.

"Everything important is faster than the speed of light," I love this quote from Greer.

Well worth watching, if you care about 'the case of the missing century' of human back-engineering.

Free Planet says No More Secrets otherwise defined as, "Compartmentalised into Corporate NDA-cells, creative individuals are easy targets for self-protective litigation."

Tuesday, January 12, 2016

Fingerprints of the Gods - Graham Hancock - Foundries of Giza

Peru-styled polygonal casing stones @ Menkaure

yes, yes, yes, I'm late to the party with Graham Hancock's FINGERPRINTS OF THE GODS revelations... reason being, "I knew all about it and didn't need to read the book," or something.

Fact is, I'd forgotten how insanely over-engineered the inside of the Great Pyramid of Giza is ... it looks more like an Industrial Site or Steel-making foundry or Energy-making power station than some Tomb to some egomanical tribal 'god kings and queens'.

But that's not the kicker, the real kicker in Hancock's 1995 book (yes, I've already read his MAGICIANS OF THE GODS, just last week) is the polygonal wall effect visible in the casing stones of the smallest of the three Giza Pyramids, the one later-attributed to Menkaure.

a CYLINDRICAL GRINDING TOOL on the polygonal casing stones?

POLYGONAL WALLS with obscure knobbles reverse-relief carved into them, erm, just like the perfectly fitting monolithic polygonal walls at Cuzco and Machu Pichu and elsewhere in Peru and Bolivia etc. same engineers? same workmen? As far as construction goes, it looks like the Peru-style wall was in the process of being levelled (planed flat, by machine?) when work stopped, or was halted. As an aside, and because many of the Peruvian polygonal walls have been smoothed, is it feasible to suggest that, "Those Peruvian walls that are 'unfinished' i.e. still retain their bulbous wall-knobs and rough surface, haven't yet been visited by the Smoothing Machine?"

I'm sure we're talking neither Egyptian nor South American masons, engineers and astrologers here -- more and more it's looking like An Absent Race of Humans we are no longer able to trace. I agree with Hancock that places like Giza in Egypt and Teotihaucan in Mexicco (to name but two such sites) are nothing more than puzzles for future incarnations, future survivors of the Younger Dryas cataclysm. Maybe left to us by an ancient branch of the Human Geneline that might have simply stepped off this world during the last rendezvous with Sirius @ 100 Astronomical Units, around the time the Younger Dryas drama kicked off.

They'll be back in about 10,800 AD if my Sun-Sirius binary predictions pan out...

Monday, January 11, 2016

Precesssion of the Skies - reversing through the Zodiac - acceleration and deceleration of Sun-Sirius binary

Free Planet recently posted a piece about the Precession of the Stars across the Heavens as described by Walter Cruttenden in his LOST STAR OF MYTH AND TIME.

It has been noticed, and the Sothic cycle confirms, that Sirius does not move retrograde across the sky like other stars, a phenomenon widely known as the precession of the equinox. [source WIKI]

I've thought long and hard about this Sun-Sirius orbiting relationship and realised that, "Were Sun-Sirius to come within one hundred Astronomical Units of each other (as suggested by Walter vis-a-vis the rubbed-tight edge of each star's Kuiper Belt) then this would surely be cataclysmic for life on this planet."

Gravitational effects, asteroids loosed upon us, tidal imbalance, ice-age melt floods, seismic instability, cats and dogs living together... and the Younger Dryas saw mass extinctions on a scale not witnessed since the Death of th Dinosaurs. Furthermore, i.e. on top of all this doom and disaster, Precession is only 'regular' in the last 5,000 years or so - as shown by the following illustration.

Go back further in time, towards the cataclysmic Younger Dryas event/period (approx 10,500 BC to 9,500 BC) where the Last Ice Age saw an abrupt change in Earth's climate rising the seas and plunging the sky into darkness for a thousand years, and you'll find that the houses of the Zodiac are sped through faster and faster. I've been very generous with my timings and my accelerations, offering the Christ-relevant current house a transit or Precession time of 2,300 years and taking 10% off for each house traversed back towards the start of the cycle i.e. orbital periapsis. The ellipse is obviously the path of the sun over time, direction of travel is clockwise. Yes, I have flipped the central Zodiac because Precession goes backwards through the twelve houses.

Sunday, January 10, 2016

Brien Foerster - Lost Ancient High Technology - Egypt Before The Pharaohs

Egyptian Culture as we know it i.e. hieroglyphic writing, animal gods, star-gazing, pyramids and temples, seemed to arrive out of nowhere ... 5,000 years or so ago.

how? how? how?

Before all that Dynastic Business, there appeared to be a High Technology Culture that needed no (crass or egotistical) grafitti in the name of any of the in-bred God-Kings and their warring escapades upon it. This was architecture that excelled in slabs up towards 200 tonnes and more; there's discussion of resonance functionality and softened sculpting/carving of stone/granites etc.

This video from Brien Foerster goes into the various examples of tube drilling, powered saws and mirror-like ninety-degree surfaces.

SO YOU ENJOYED THAT: well, check this out from South American, David Hather Childress and Christopher Dunn go around Peru and Bolivia examining machine cutting (or softened stone i.e. geopolymerised) and precision alignment of granite or stone slabs or rocks into giant polygonal walls from back in the mists of time.

Saturday, January 09, 2016

Chinese artist Wen Fuliang of Shaanxi Province - intricate and precious - egg shell carvings.

Chinese artist Wen Fuliang, of Shaanxi Province, was laid off from his job ten years ago as a wood carver and turned to the unusual and skillful hobby of creating intricate sculptures from “egg shells” to make ends meet.

He uses chicken, goose and duck eggshells for his painstaking artistic creations carving out animal designs and places of interest, such as the iconic Dayan Pagoda in Xi’an.

Friday, January 08, 2016

Gobekli Tepe and the Watchers of Eden - Andrew Collins - Swiderian 'architects of civilisation'

I'm not a real big fan of The Lost City of Atlantis, not a real big fan at all.

The more I look into Lost Cultures and Lost Peoples there appears to have been a group of Ancients who had access to high technology like Stone Melting, Polygonal Wall Building, Obsidian (and other delicate or super-hard material) Carving, Dolmens and Stone Circles etc. and were also obsessed with 'making their heads bigger' (well, bigger...) by this I mean Skull Binding.

Common to this era of Ancient History is the fauk-ELONGATED (or bound) SKULL, and the impression is that these Long Skull-ites are copying something that hints at different or earlier type of Human that no longer exists. These Extra-elongated skulls have been found all over the world (suggesting global transport and/or local-to-local trade-trending) sites that crop up includeTurkey and Peru, and also in Stonehenge.

Put the breaks on -- STONEHENGE?

Well, yes, according to archaeologist Maria Wheatley, the Neolithic Queen who was excavated from her own long barrow near Stonehenge had a Long Skull. But was this 'fashion' for Skull Elongation based on an earlier people who may have been 'doing the rounds' in a time when the Great Cataclysm had happened some time around the Younger Dryas aka 9,600 to 9,500 B.C.

Andrew Collins (whether I like his delivery or his conclusions is irrelevant) seems to pinpoint the Swiderians, a people from what's known today as Poland, who he claims to be HYBRIDS of Neanderthals and Modern Man. Tall, fair-haired, tall-faced 'magicians' who shared their intelligence and technology with the natives of Turkey and Peru and Briton...  the only down-side seems to be the Brits KILLED THEIR LONGSKULLS. As if the Brits lost faith in their Giant Snakeoilsalesmen and put them to the sword, destroying millions of years of learned knowledge and pushing the Britons back into the Dark Ages, literally.

So, what were the Druids and did they share Freemasonic tricks of the trade with a selected elite, in secret because anyone 'communing with the longskulls' would be killed?

FURTHER WATCHING: excuse the pun ... comes in the form of a presentation of SOFTENED STONE TECHNIQUE by Russian(?) youtuber New Earth. Now, I admit that her style of narration is a little bit like hard work but let's not throw the baby out with the bath water, let's listen to what's being said here about Ancient Technology (and we're talking pre-Stonehenge Dolmens and other architectural features here) that was used to SCULPT large stones into perfectly-fitting walls orsolid stone monuments. This kind of laser-engineered rock-work is found in Japan and Egypt and Puma Punku to name a few global locations.

At 16:29 in the following video, there's clear evidence of an embedded stone-within-a-stone that harks forward to the transmutative microwave work of John Hutchinson. What the hell is this 'softened stone technique' and why can we not do this kind of work today? Who can melt stone to soft-sculpt it? Lasers, ultrasonics, singing at the damn rock? Was this how this heavy-lifting soft-sculpting work was done?

AND HERE'S ANOTHER ONE: dealing with 'geo-polymers' i.e. concrete, and all other examples of polygonal stone walls from around the world.

Monday, January 04, 2016

Nyoman Wijaya - cow paintings

I love these paintings of numbered cows from Balinese artist Nyoman Wijaya.

Nyoman Wijaya studied art at the Sanggar Senin Kamis in Sanur, from 1998 to 2003. He was born in 1971 in Tabanan, into a Balinese family who made their living as cattle breeders. “From the time I was small, I learned how to take care of cows, so that I could stay in school by selling cows”, Wijaya says. “At first, I saw it as something that was just ordinary. Until one day, after I had already grown up, my father got cheated and failed in running his cattle trading business. From that point on, I started thinking about cows as an important and special subject in my life journey”. [source BALI ADVERTISER]

Sunday, January 03, 2016

K-PAX V - Gene Brewer - rereading reinforces my opinion that...

author Gene Brewer

in 2014, my review of K-PAX V (the coming of the bullocks (book five of the K-PAX series (the first book of which was made into the eponymous movie starring Spacek & Bridges))) went online @ Zone-SF...

rereading Gene Brewer's K-PAX V over the Xmas 2015 break reinforced my opinion that...

a) Gene is one of the best speculative writers on the scene at the moment.

b) he's probably never going to forgive me for my 3/5 review of his fifth novel in the K-PAX series.

to which I feel compelled to say, "He's right ... of all the species on this Free Planet, mankind is one ludicrously half-baked fuck-wit of a race who will do anything they're told in the name of some insane corporate fantasy scenario involving their over-hyped and improbable GODMATIC claim to immortality."

I therefore reiterate to Gene, who no longer answers my emails, publicly via this re-review on the Free Planet blog, "K-PAX was way ahead of its time. Of course by now they should have made the K-PAX IV film starring the gorilla-sized chimp 'fled'. The live-and-let-live ideologies and passions of the visiting-alien 'prot' were the major stimulus behind what would eventually and organically become my Free Planet vs War World dual/duelling trilogies. Gene Brewer, I implore you, please go back in and eradicate the AFTERWORD chapter from the back end of K-PAX V. They go away, they come back, they tell of their findings. Done. Five stars. New K-PAX movie reboot." 

Show what would most likely happen to the for-profit patent-protecting Human Race, Gene, make man properly set time aside to 'think' about the lie of his fast-food loose-moral Corporate War lifestyle.

Author and film-maker Peter Valentino says "NYC was nuked on 911" in The PAPAMUNDI Files - Khalezov interview bonus material

Peter Valentino
it's been a long while since the Free Planet blog highlighted the efforts of Russian nuke-commander Dimitri A Khalezov to convince everyone in the modern world that a) NYC was nuked on 911 and b) no planes were used. Khalezov's assertion has always been that WTC 1, 2 and 7 were each brought down by a 150 kiloton 70m deep underground nuke (as part of their original design spec) was big news for a while then NOTHING...

Oh, apart from Judy Wood asking, "Where did the Towers go?"

Now, author and film-maker Peter Valentino has put together a to-camera piece called the Papamundi Files, NYC Final Conclusions in which he discusses the meat & potatoes of his Kissinger Konfessional polemic-omentary Papamundi and the 911 Mechanism or what we know as the Great Magic Show of September 11th 2001.

DIMITRI KHALEZOV DOWN MEMORY LANE: in case you missed this stunningly contrived and insanely horrific interview first time round in all its various regularly-deleted forms, here's the full four-hour Dimitri A Khalezov interview from 14th October 2010 - we've still to discover who his interviewer is or where this was shot, but it's a juicy piece of retro-fitting.